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Feminine Existence in Rabindranath Tagore's Writings : An Analysis |
Nabanita Manna
Research Scholar
Dept. of English & Other Foreign Languages
Mahatma Gandhi Kashi Vidyapith,
Varanasi, U.P., India
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DOI:10.5281/zenodo.12166560 Chapter ID: 18963 |
This is an open-access book section/chapter distributed under the terms of the Creative Commons Attribution 4.0 International, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
While Tagore's
poems primarily describe beauty, nature and his search for what is beyond
mundane life, his short stories deal with the lives of ordinary people. Women’s
struggles and sufferings are particularly highlighted. This paper proposes to
explore his vision and views on women as reflected in his short stories.
Tagore's creative works have grave impact on the traditional socio-cultural
system of his period. Rabindranath
Tagore being a protagonist always tries to bring the women's contribution to
the society. Though the women portrayed in his writings were in their
traditional forms, they influence the society of that time. His writing
contributed much to the modern society and came up as an alarming bell for the ladies
to put their voice for their liberalization. Literature
plays an important role in the establishment and growth of the society. As a
novelist Tagore is well aware about the social evil prevailed in the society.
As a conscious socialist, he exposed all these evils in his short-stories and
novels. He deals with the problem of women like inequality, dowry system, and
rape. His novel "Jogajog" accentuates the issue of marital rape. Not
only this, but so many other social issue were also picked up by Tagore in his
writings, such as child marriage, wife-burning, etc. Tagore has
presented women in traditional role but not in stereo type image. He has
presented them in varied ways. His female characters are outspoken. They know
to raise their voice against injustice. His female characters are full of inner
strength and have dreams and desires. They are full with fighting spirit.
Tagore's female characters are the representative of the new women of the
modern era. Through his female character Tagore seeks for the new change in the
society. Usually he has depicted the three aspects of womens' life;
relationship between men and women, their social oppression, and the avatar of
new women who is confident and makes their own decisions. He recommended women
to find their own identity, as wifehood and motherhood are just part of their
entire self. In the literary
world, where most of writers think about women as an influence of their
writings, Rabindranath Tagore thought women as lead or central character in his
writings. In 19th century literature and society where the
rights of women are just beyond the thinking there Tagore presented his
heroines and characters as free minded, advance thinkers with strong
personality. Tagore shows
the gender discrimination primarily caused by the exploitation and the
marginalization of women by males due to biological distinction leading to a
psychological vacuum as encountered by the female protagonist of A
Wife's Letter and The story of a Muslim Woman. He
highlights the facts of the societal conditions which were absolutely
unacceptable for women. These women characters through their reformist ideas
and freedom come out victorious at the
end. The story is
about the modern female protagonist Mrinal who after being married for fifteen
years, discards her husband's house and goes to Puri forever and writes a
letter to her husband. She got married in her childhood and entered into the
joint family of her husband as the second bride. Mrinal's comments : That I had beauty, it did not take you long to forget, But you were reminded, every step of the way, that I also had intelligence. (A Wife's Letter, p .90) Mrinal's mother
also concerned about the fact that she is wise. She was compelled to live in
unhygienic situations during her childbirth which culminated in the delivery of
a female baby. Bindu's contact with Mrinal made her rebellious. Mrinal's
sister-in-law was Bindu who due to her family was reluctant to face all the
tortures after being married to a psychic person. Mrinal determines to go from
her household and desires to take Bindu to pilgrimage to get rid of dangerous
environment of her house. Whereas Bindu, on the other hand, was unable to face
the emotional domination from her own relatives and committed suicide before
Mrinal could take her for pilgrimage. However, even after demise, Bindu was
criticized for her own hardships. Mrinal presented her ideas about her spouse
and the patriarchal society in her letter. Simmi Gurwara has the same opinion.
In the early years of her marriage, she was captivated by the magic of their
sexual life. She eagerly looked forward to a physical union with her husband and
enjoyed it immensely thinking physical intimacy of her married life. She
addressed her spouse with satirical remark in the letter and at the end of the
letter, she feels emancipated from all her suppressions. Tagore presents
the numerous social issues of the caste system, male-dominated society, and
lack of equal chances and child marriage which was prevalent during his age.
Tagore has shown these several social injustices and paints Mrinal's pain
because she proves herself by being artistic, skilful and presentable in her
opinions. Through her poetry, Mrinal provided vent to her suppressed feelings
and raised her voice and opinions on gender equality and emancipation from the
grasp of patriarchal norms. Mrinal, modern woman protagonist, narrates her own
experience in A Wife's Letter. He has foreseen the modern age of
liberated women who will definitely emerge in the future. Mrinal's effort in
this letter is connected with the opinion of Helen Cixous (1987), the French
Feminist, who, in The Newly Born Women suggested to
females that : She must write herself, because this is the invention of a New insurgent writing, which, when the moment of liberation Has come, will allow her to carry out the indispensable Ruptures and transformations in her history. (Cixous, 18) Mrinal is the
first female protagonist in Indian literature to protest in the male-dominated
society through her efficacious writings. Mrinal writes this letter from Puri,
where she lives forever at the age of twenty-seven after fifteen years of
married life. Tandon says : A woman's
story, inevitably silenced by andocentric Culture,
narrated from a woman's point of view by Women writers in itself is a challenge to the male power (Tandon, 96) Bindu's demise
awakened Mrinal's understanding. It motivates Mrinal's identity and changes her
into an emancipated woman. After fifteen years of conscious existence as a wife
suffering from endless pain, Mrinal feels that her contentment cannot be gained
as a wife but as a woman. She announces that she will live like Meerabai, and
ends her letter with the words: Breaking free from the shelter beneath your feet, Mrinal (A
Wife's Letter, 107) Tagore's short
stories A Wife's letter and The Story of a Muslim
Woman delineate how Tagore has shown his female characters as revolutionary,
courageous, confident, focused and conscious of their identity. The female
protagonist of these attempts defied the male-oriented norms of their period
i.e. to remain crushed and guided the cause of female liberation from the
chains of male-dominated society. They protested in a strong manner against the
male-oriented society and through their effort, power, and strong will come out
victorious. Tagore's short
story Laboratory written a few months before his death
expresses his latest views on women and gives shop to the “new women” whom he
perceives as arriving in India in the new future. In so doing Tagore urges
women to find an identity of their own and realises that wifehood and
motherhood are but fractions of their whole being. It dazzled the readers and
created a stir among the admirers of literature. In the early
period of Tagore's writings, women are part of injustice done by the society
and the harsh realities in the rural surroundings. The second period
of his writing (1893-1913), is the most imaginative period of his life. The era
witnessed the portrayal of urban and educated women in the society who plead
for human rights. Tagore not only
portrayed the urban, rural and educated women but also side of the widowed is
carefully presented. Women served as the two sides of the coin, one side is the
conflict of the society relating with the widow and on the other side is the
conflict of the women themselves. The Choker Bali (1903), depicts
the story of a widow Binodini, unfulfilled love and struggle with her own
passion. On the other hand, another widow Damini, ignoring all the social
rituals and dilemma, starts her new beginning with her new husband. In the words of
Vrihadaranyaka, Yajnavalka : "The wife
loves her husband not because he is her husband, or the mother loves her son
not because he is her son. This love blooms only because the same self is
imminent in all, only because the wife finds herself in her husband and the
Mother in her son". Rabindranath
Tagore, being the greatest poet, philosopher is known for writing poems,
dramas, plays and novels. In most of Tagore's writings one can find more about
women struggle, their inner strength and the role played by them in different
situations and at different places by the society. His first short story, Beggar
Girl (1877), is his final work. In The Bad Name
(1941), the readers discover how women can be the most transformation
within social life. The personality changes by every plots and this leads to
the alterations made in the social society. In Tagore's
short stories female protagonists perform like men that stand for masculinity.
So, we can figure out that they are modern women. Women characters have
feminine qualities but their deeds show that they are revolutionary women. In Tagore's
writings he represents modern women who act like revolutionary women in the
Indian society. The writer gives justice for the womens' role by showing them
as new women who seek their individual identity in the conventional world. They
wish to create new history by highlighting themselves as modern women. With the
changing scenario of the image of the women Tagore has changed the concept of
womens' status. Today women now won't feel like a dominant person but they come
up as equal genders with the men in the society. References : 1.
Bandyoadhyay, A. Rabindranath Tagore : Novelist, Short Story
Writer and Essayist Atlantic Publishers and Distributors,New
Delhi, 2004. 2. Matthews,
B. The Philosophy of the Short Story, New York and London :
Longmans, Green and Co. 1901 3. Rao,
M.R. The Short Story in Modern Indian Literature, Fiction
and the Reading Public in India. Mysore: Mysore University Press. 1967 4. Ray,
M.K. Studies on Rabindranath Tagore, New Delhi: Atlantic Publishers
and Distributors. 2004. 5. Tagore
R. The Story of a Muslim Woman. Ritupatra, Barsha issue, 1955.
Trans. Swapan Kumar Banerjee. 6. Tagore, N. A
Wife's Letter, publication- 1914. 7. Tagore, R. Galpaguccha (Collected Short Stories), Kolkata: Visva-Bharati. 2008. 8. Banerjee, S. "Emancipated Women in Rabindranath Tagore's Selected Short Stories". The Criterion: An International Journal in English, 2017. |