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Representation of a Female
Dwarf in Walter De La Mare's Memoirs of a Midget |
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Paper Id :
17817 Submission Date :
2023-07-15 Acceptance Date :
2023-07-21 Publication Date :
2023-07-25
This is an open-access research paper/article distributed under the terms of the Creative Commons Attribution 4.0 International, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. For verification of this paper, please visit on
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Abstract |
This paper is devoted to the representation of gender
inequalities in literature. It describes and determines how gender is portrayed
and gender roles are depicted and defined in a Modern society. The gender
stereotypes are considered along with the inabilities of the main character.
This research paper highlights the challenges faced by the proponent and
principle storyteller Miss M,who struggles to maintain the identity in spite of
being twice diverged from the social norms.She faces difficulties not only as a
female entity but also being a dwarf. Miss M. or Midgetina as referred to her
by Fanny, a selfish character in the book Memoirs of a Midget by Walter de la
Mare who has successfully portrayed the unforgettable uniqueness in her. Born
from two ‘non-midget’ parents wefollow her into her childhood, adult lifeand
afterwards, even after the death of her parents. |
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Keywords | Midget, size, struggle, woman, challenges. | ||||||
Introduction | According to Sir Walter, a midget’s account should never be
dismissed as unimportant. In a mixed culture, Miss M. was exaggeratedly
conscious of her minute stature and with due course of time, she lost the
eagerness to grow into an indescribably beauteous little figure, in her
bright-colour apparels loving her part of isolation and indulging in it
excessively. The book opens with an introductory chapter narrated by Miss M.’s
financial trustee, her occasional visitor and financier, Sir Walter Pollacke,
who was able to bring back her destiny, enabling to sanction her lost home and
securing her independence to live in the privacy that she always she loved,
until one day he was left with her message, “I have been called away. - M.”
(Memoirs of a Midget, p-15). As her sole executor, Sir Walter came across her
memoirs sealed up in numerous small square brown paper packages in her cupboard
where she recounts the ‘one year’ experience of her life with a covering letter
addressed to him, “…my dear Sir Walter, you know the rest. What is Deep in - at
variance between Man and Midget? You may discover this; even if I never
shall.”[11] |
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Objective of study | This paper aims to focus on the most neglected area i.e the
Little People or the Dwarfs. Words like ‘equality’ have secured itself in the
texts only, else why being a female we still are crushed down in many
suppressive ways. The struggle doubles when the female entity is a dwarf and
the fascination increases when she fights back to assert her identity and
dignity within this harsh world. The very word ‘Midget’expresses its derogatory
usage for a dwarf person or thing usually short in nature considered as
unacceptable by an individual or society at large. However, Walter de la Mare
in his surrealistic novel Memoirs of a Midget has portrayed Miss M. (a midget)
as larger than life, as larger than her size. |
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Review of Literature | The book begins
with the principle protagonist’s narration of her own account who believes that
she is a gift from the fairies to her parents in substitute for their real
child. She has funny facts about herself like her body is among the smaller
works of God while her soul, mind and heart were merely given any preference,
her father taught her to play chess with pygmies on a little board. Though she
was happier in her mother’s company, yet disliked her mother giving her
immature tasks like composing her fabric and arranging the string of beads, and
treating her sometimes as a mere trivial plaything. Her questions to her mother remained
unanswered, “Tell me, Mamma, are you sorry that your little daughter is a
midget?” (26) She describes
herself as physically strong with muscular chest and never suffered from severe
colds or skin irritations. She would enjoy the habitation of few extremely
dwarf trees in green tubs in their balcony beyond her window, for hours
together, the reason being her mother was shy of her and seldom took her
abroad. Reading was always a difficulty for her and her father bought her a
diminutive book that included a dwarf Bible. Pygmy books came for her from
Paris with a minute masterpiece of calligraphy by her grandfather. She proves to
be a greedy scholar when she says, “Apparently from infancy I was of a firm
resolve to match my wits with those of the common-sized and to be ‘grown-up’
someday.” (42) Though she had no formal education, yet knew to respect human
nature and was without rivalry. Miss M., a nature-lover, often compared the
clustering and gathering of planets to families with different shapes and
sizes. Any one dwarfed among the heavenly bodies was supported by Miss M.
against others. By the midst of
her eighteenth year, she found life was raw to her, perhaps because her mother
had rarely given her any knowledge of the other world. It was on may after her
eighteenth birthday, when suddenly she hears a gasping cry to find her mother
lay in an intense sleep as cold as marble. She had no strength of a superhuman,
“It was my first acquaintance with calamity, and physically powerless to aid
her.” (47) She only wished, the problem have been opposite, “I myself might
have had natural-sized children and they a pygmy mother.” (49) Miss M. soon
started wearing bright color dressed in order to bring out some changes in her
father’s mood but by the beginning of August in her twentieth year, he became
almost a stranger until one day he was found dead in his bed. As per her
imagination, if the human beings born into this universe, from the next
generation onwards, would be of mere pygmy stature, then there would remain a few of the
normal-sized, fifty years hence, in the land walking through the midget
streets, shops, church, furniture, pygmy sized house, and vehicles with scanty
livelihood and unpleasant appetite where their boots would be a public risk.
What a pretty play it would be when someday the nature might take fancy to the
dwarfs! She was to live
with Mrs. Bowater, an acquaintance of her godmother, leaving her mute and
sympathetic great house just to find things queer and herself alienated. Her
only fellowship was a blackbird which flew down into her refuge, and at times,
the moon. She states, “I was no longer a child; and the responsibilities of
life were now wholly on my own shoulders.” (63) Arrival of
Fanny, Mrs Bowater’s daughter made Miss M. feel insecure. Fanny found her very
peculiar, “‘I’ve never never in my life seen anything so queer.’ She suddenly
raised her strange eyes on me.” (109) Miss M
suddenly broke out, “Will you please remember, that neither myself nor
what I choose to do is any affair of yours.” (109) At the age of twenty, she has not yet been
used to others’ mockery at her being so little, “My real rage was not that
Fanny had taken me as a midget, but as such a midget.” (111) She fell asleep and
dreamt herself to be a child again tightened up in one of the glass vessel with
growing panic. According to
Miss M., giants are usually dull witted people and so she doesn’t want to
change herself. The differences between her and the common sized is just a
matter of few inches, as of age, weight and sex. She says, “We are not
lobsters… What a mysterious thing it seems. All of them thinking pretty much
the same: Norm Thoughts, you know; just five-foot-fivers.” (122) Midgetina, a
name given to Miss M. by her unfaithful friend Fanny, who hated being alone, so
in order to kill her time, Fanny pierced Miss M. with harsh comments like, she
won’t give birth to anyone like Miss M. or enquiring whether M.’s mother was a
midget! Later, Fanny was pregnant and this might lead her to commit
infanticide. This somehow made Miss M. think her life as worthless. An absurd,
contrary, volatile creature, she was. She came across
a strange figure, one day, amongst the nature, in the woods, fancying the
figure as a bird at a little distance and later, a human, confused whether real
or an illusion. She writes, “Standing here, with fixed, white face and black
hair, under aflowering black thorn, he remained as motionless and as intentas
I. He was not more than a few inches, apparently, superiorin height to
myself.” (223)This was her first
confrontation with someone, just like her, Mr Anon.Truly, this stranger was
making her life really interesting. The moment she bade him farewell, the same
time she would promise him to meet the succeeding fine morning. The desire in
her was so strong, that a deep fright would chill her mind. Soon, she
receives an invitation from Lady Pollacke to have the pleasure of her company
at tea, with her guests. She entered Pollacke’s house only to find the busy
tongues sink straightaway to a hush and she was daggered by a score of eyes.
With a murmur of nasal voice exclaiming, ‘Touching, Touching!’, she was
presented to a lady of large and surprising appearance, Mrs. Monnerie. M. was
even asked whether she knew swimming to which she answered a ‘yes’. Every face
and ever eye was fixed on her, from which she could find no refuge. Her name
was summoned and she was ready with the poem - The Weakest Thing, by Elizabeth
Barrett Browning. On meeting Mr
Anon, his face was pale with fury and disdain with humped shoulders and
straight hair who burst out harshly, “And I have no friend in this world, and
need you.” (261)There fell a silence between them. According to Mr Anon, he had
better knowledge of mankind than Miss M. had but Miss M. never let him
overshadow her. She expressed
her desire to visit Mr Anon’s house. The air was stormy, yet with a dusty
scent. It started to rain severely. The wind blew faster making her uneasy. Mr
Anon scrambled to his feet and kept his forlorn heart in front of M. He, then,
not only fetched a horse wagon but also brought her some hot milk and a few
raisins to warm her. Mr Anon made her like him and would have been contented if
she should love him, M. thought.She was invited to Mrs Monnerie’s town house at
London for a week or two. She was transported in the midst of the world of
fashion. She missed Mr Anon, their bond,
even if they made a miserable pair. The day she met
Mr Anon, he looked peculiar, standing alone, his clear eyes were surrounded
with dark circles. He opened up only to say, “It has been a long waiting.”
(358) She replied with a ‘yes’ and further asked the reason for not answering
her letters but he decided to remain silent. He was happy that Miss M. was
safely out of Mrs Monnerie’s clutches but this made Miss M. angry and defended
Mrs Monnerie as one of her friends, “Clutches! Thank you so much. You forget
you are speaking of one of my friends. Besides, I can take care of myself.”
(359) She felt more lonely and helpless and broke out suddenly to humiliate him
again accusing him of dominating over her, “You domineer over me. Youpamper me
up with silly stories - trailing clouds ofglory, I suppose. They are not true.
It’s everyone forhimself in this world, I can tell you; and in future,please
understand, I intend to be my own mistress.” (359)Though she cannot love him,
still he is the one who treats her as she is. That is enough. His grip
tightened around M.’s fingers. We come across
a beautiful monologue, Miss M.’s words for the bygone Miss M. and emerging Miss
M., Time and
circumstance have strangely divided me from theMiss M. of those days. I look back on her, not with
shame,but with a shrug of my shoulders,
a sort of incredulous tolerance- almost as if she too were a stranger. Perhaps a few yearshence I shall be
looking back with an equal
detachment on theMiss M. seated here at this moment. (365). Adam Waggett,
one of Monnerie’s acquaintance, had given her the clue of a circus set up in
London, over which Miss M. kept hovering upon and concluded to be a part of it
in order to gain her own identity. The showman asked her name, age, where she
came from, if she could dance, ride, sing. Then, came Miss M.’s turn and she
asked how much would he pay her! She had her terms.Her little part in the
performance was decided. She could find
the grin in her smirking eyes, awe-stricken faces – towns-folk and village
tribe. She looked on softly from face to face. It was her debut. She had given
words to her showman to consider over his invitation of working as a permanent
member in his troupe and in return will be paid full.She startled in horror, only to find Mr Anon in it. There
was a cry of joy within her.This is where an anxious gentleman gave Mr Anon a
genuine offer of either to ride a horse or to be a spot boy. Miss M. felt it
was a bit stupid on Mr Anon part not to take things as they came, just for her
sake. But she got her answer when Mr Anon forbade her to show herself, ordering
her to come away. She could have even forgiven him, but he dare to command her.
Miss M. broke into anger, made him understand how deliberately she wants to be
free, devoid herself from his company and asked him to leave the place at once.
Mr Anon stood stubborn. “I’ll take your
place”, he said. (503) She implored
him that he was doing wrong, she was a woman and they dare not harm her at any
circumstance. The show was to start in next ten minutes. Mr Anon denied the
showman of her performance. Both had a fight of words. Anon threatened to call
the police. Miss M. had never seen a personso infuriated before. He looked
savage. His roaring swept over her as if she was nothing more than a leaf in
the wind. “Beware, my
friend. Have a care. I see a rope around your neck”, (505) she cried out.A few
minutes to end. She began counting. A
human or animalscream, she could not recognize, died away in the
distance.The music ceased. The whip cracked. And unanimous roar poured out into
the space. The mob seemed satisfied. She ran out over the damaged grass to find
Mr Anon wounded, the strings of his cloak were broken. The members left him to
Miss M.’s custody. Sitting there she tried to control her misery of killing Mr
Anon. Her pride, vanity, greed, obstinacy, lovelessness had killed him. She
wanted to set herself against the world, but there is no escape to this. She
even hopes someday someone might take her seriously, neither with scorn, nor
with pity but as one reads a work of a common-sized person. After all, all have
shared the world on equal terms. Rebecca West, a
well known British Writer compliments, "For centuries to come, this book
will inspire imaginative people. Beyond all doubt, it will be an ingredient of
future poetry." (Amazon.com) Even Angela Carter states that this book may
be read with a great deal of simple
enjoyment after which it sticks like a splinter in the mind. The story seems to
be perfect and utterly original to Harry Mathews who describes it as,
"totally idiosyncratic and yet there isn't a line you couldn't identify
yourself with." (Amazon.com) "One of the strangest and most enchanting works of fiction ever written", writes Alison Lurie, from her foreword. Washington Post reviews the novel as a masterpiece and "acts upon the reader like a ghostly visitation, at once unsettling and revelatory." New York Times Book Review applauses it to be a great work. "Sentences, pages, whole chapters cause us to catch our breath", writes Atlantic Monthly. John Bayley of New York Book Reviews praises Walter de la Mare as a remarkable writer. Jean Hannah Edelstein remarks in the Classics Corner, "Almost 90 years on, Memoirs ... is not quite as timeless as the best-loved classics of its era. The length seems to show the hand of an overindulgent editor: the first 100 pages plod along as de la Mare sets out the particularities of Miss M's predicament in meticulous, tedious detail." (Classics Corner) |
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Conclusion |
Though the book has been published in the year 1921, yet the
central character Miss M. corresponds the modern day women who are thrice
diverged; first by the patriarchal society, second by the family and third by
their own physical definitions, yet have successfully overshadowed the hurdles
and came out as winners. This research paper shall act as an reminder not only to
the society but also the individuals who believe there’s no place for the 5’s
and 6’s in this world. |
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References | 1. Cecil, David. Walter De la Mare. London and New York: The
English Association, 1973. 2. Coates, John. “The Numinous in Walter De la Mare's Memoirs
of a Midget.” Renascence: Essays on Values in Literature, vol. 70, no.2, 2018. 3. "Definition of DWARFISM."Merriam-webster.com, 04
May 2017. 4. Gerdes, Eckhard. "Walter de la Mare. Memoirs of a
Midget." The Review of Contemporary Fiction, vol. 24, no. 5. Griffiths, Joe. "Walter De la Mare's Quest."
www.walterdelamare.co.uk 1997. 6. Mare,Walter de la. Memoirs of a Midget. Collins Sons &
Co, 1921. 7. Savidge, Simon. “Memoirs of a Midget by Walter de la
Mare.” Savidge Reads, 21 Apr. 2009. 8. https://archives.bodleian.ox.ac.uk/repositories/2/resources/9057
9.
https://www.amazon.com/Memoirs-Midget-Alison-Lurie/dp/1589880129 |